感情が発端

何かに誘惑されて感情が動けば、誰でも誘惑されたものに関心を持ち意識するだろう。何かのつくり手ならば、その時の誘惑された感情を投影し何かつくるかもしれない。

感情と建築の関わりでいうと、つくり手の感情を建築へどのように投影するかが問われ、その建築がさらに人を魅惑する。そうして感情の連鎖が起こり、建築がつくり手の感情が発端で印象的に広まる。

受け手の感情が発端になることはあるだろうか。あるとしたら、つくり手の感情は存在しない。仮に存在しても建築に投影されることはない。

"Emotions are the beginning"

If something tempts you to move your emotions, everyone will be interested in and aware of what you are tempted to do. If you are a creator of something, you may create something by projecting the tempted emotions at that time.

In terms of the relationship between emotions and architecture, the question is how to project the emotions of the creator onto architecture, and that architecture is even more fascinating. Then, a chain of emotions occurs, and the emotions of the creator of the architecture spread impressively at the beginning.

Can the emotions of the recipient be the starting point? If so, there is no emotion of the creator. Even if it exists, it will not be projected on the architecture.