抽象化して本質に出会う

足の裏で感じることを考えていて思い出した。お能で面をつけて登場するシテ方は面の視野が狭いので足の裏で今舞台上のどこにいるかを感じながら演じているそうで、舞台の床の板の感触の変わり目を感じながら歩いているという。

きいた話によるとお能は余計な所作と言葉を全て削ぎ落とし、必要かつ最低限の所作と言葉で表現するとのことで、まさにそれは抽象化であり、演者が抽象化に没頭できるように視野の狭い面を装着するとも考えられるのではないかと思い、抽象化して本質的なものだけを残す過程で足の裏で感じることが寄与しているとも考えられる。

抽象化して本質を今一度掘り返すようなことをしてみようと思う。

"Abstract and meet the essence"

I remembered thinking about what I felt on the soles of my feet. Since the field of view of the shite who appears with a face on Noh is narrow, he seems to be performing while feeling where he is on the stage with the soles of his feet, and he walks while feeling the change in the feel of the board on the stage floor. It is said that it is.

According to the story I heard, Noh cuts off all unnecessary actions and words and expresses them with the necessary and minimum actions and words, which is exactly the abstraction, and the perspective is to allow the performer to immerse himself in the abstraction. I think that it may be possible to wear a narrow surface, and it is also thought that the feeling on the sole of the foot in the process of abstracting and leaving only the essential things contributes.

I will try to abstract it and dig up the essence again.