感性のベール

建築を届ける側と受け取る側に分けて考えた場合、受け取る側がどのように感じるのかに興味がある。受け取る側は建築を現象として何を感じるかを無意識のうちに取り扱っていて、それを感性という。

感性が豊かという言葉があるように、感じることを微細に受け取ることはいいがそれが行き過ぎると逆に感性が鈍く空回りする無感性の状態になる。

無感性の状態はよく広告の世界ではあり得ることで、広告の過激性が問題になることがあるが、見方を変えれば、建築に広告の過激性のような感性が鈍く空回りしてしまう状態、無感性の状態まで人の感性を刺激する力があれば、建築において感性のベールが透けて、建築が本来持っている空間性や素材性や時間性などが現れるのではないかと考えた。

普段、建築は人の感性のベールに包まれており、それが良くも悪くも建築の姿を歪めているように思えてならない。

"Veil of sensitivity"

I am interested in how the recipient feels when considering the architecture on the delivery side and the receiving side separately. The recipient unknowingly deals with what he feels as a phenomenon of architecture, which is called sensibility.

Just as there is a word that the sensibility is rich, it is good to receive the feeling finely, but if it goes too far, the sensibility becomes dull and the state of insensitivity becomes idle.

The state of insensitivity can often be in the world of advertising, and the radicality of advertising can be a problem, but from a different point of view, the state of architecture that is dull and idle like the radicalness of advertising. I thought that if there is a power to stimulate human sensibilities to the state of insensitivity, the sensibility veil can be seen through in architecture, and the spatiality, materiality, and temporality that architecture originally has will appear.

Architecture is usually wrapped in a veil of human sensibility, which, for better or for worse, must not seem to distort the appearance of architecture.